
Home Video >
Foreign > Films from Latin America
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
 |
 |
A modern silent masterpiece,
Margarette’s Feast tells an allegory of Brazil’s social
struggles without words while making dazzling use of exhilarating Brazilian
music.
|
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
|
Untitled Document
Untitled Document
Untitled Document
Untitled Document
 |
 |
When Jacobo, a lonely factory owner in Uruguay, hears about the impending visit
of his irritatingly cheerful brother who he hasn't seen in years, he enlists
his faithful assistant Marta to pretend to be his wife.
|
|