| Praise for Micki Dickoff and Tony Pagano's NESHOBA
 "Fascinating and troubling… history is richly present  in Neshoba, (yet) it is not only of historical interest. It was a Mississippi writer,  after all, who observed that ‘the past isn’t dead. It isn’t even past.’ This  film is a document of hope, progress and idealism but also a reminder that the  deep springs of bigotry and violence that fed a long, vicious campaign of  domestic terrorism have not dried up." - A.O. Scott, The New York Times "Potent…Riveting!"  - Dennis Harvey, Variety  ! "Neshoba reopens the debate: How was this allowed to happen? How do  we move forward? Some questions, this  compelling movie reminds us, still require answers." -S. James Snyder, Time Out New York
 CRITICS’ PICK! "Seriously disturbing…gains raw  power thanks to unrepentant racist Edgar Ray Killen’s unlikely  cooperation with the film." - New  York Magazine "A film about fiery passions and murderous deeds that is disturbing in ways that go beyond what might be expected." -Kenneth Turan, Los Angeles Times "Masterful!" -  Ernest Hardy, The Village Voice  "Fascinating!"  - Kelly Vance, East Bay Express "Provides a  fresh perspective on history." - Nora Lee Mandel, Film Forward  ! "Reveals that although many have belatedly come to embrace the  notion of universal brotherhood, some still remain inveterate racists willing  to go their graves waving the flag of intolerance."  - Kam Williams, Newsblaze
 "Incredibly effective at  showing how a small town gets past its history of racism and senseless  violence."  - Josh Kurp, Encore Magazine "Alarming…fascinating and so effective." - Cynthia  Fuchs, Popmatters “The filmmakers provide not just a thorough context,  but paint a picture of a county frozen in time… Like a sociological forensics  team working on a cold case, they spotlight intriguing clues." - Lauren Wissot, Slant Magazine "A must-see for anyone  concerned with the state of tolerance in the U.S. … a terrific blend of  historical, ethnological, legal, human rights watch and biographical portrait  film." - Christopher Campbell, Cinematical
 "A stunning up-close-and-personal look at Killen, as  well as many other seminal figures of that 1964 event. It’s something that  anyone interested in American history should see." - Debra Kaufman, Studio  Daily
 "Gripping and thanks to remarkable access Killen  granted to the filmmakers, a cautionary tale about apostles of “states’ rights”  as a perverted form of liberty." -George Robinson, The Jewish Week
 "Gut  wrenching…fascinates and disturbs." - James  van Maanen, Trustmovies “Peels back the layers of simmering  rage and blinding denial that linger in Neshoba County,  Miss. It's a patient film, full of disparate voices, and it captures the  process of justice in action. Just as important, it digs deep into the question  of how wildly different sectors of the community view that process." -Chris Vognar, Dallas Morning News "Grim evidence that many of the same racist sentiments in place since  the nation’s inception remain firmly entrenched…unquestionably valuable  for bringing increased awareness to this  shameful moment in history."  -Alex Roberts, TV Soundoff "Gripping!"   - Eleanor J. Bader, The Indypendent "Profound!"   - Diane Saenger, Review Express "Riveting!" - Brian  Jones, Socialist Worker "An  unflinching look at ordinary citizens struggling to find peace with their  town’s violent, racist past in today’s America." - Don Thomas, The New    York Beacon 
 
   |